-
Spain to go on 'front foot' against France in World Cup semi: De la Fuente
-
Trump slashes two Utah protected areas by more than 90%
-
US strikes Iran for third night as Trump says deal still 'possible'
-
Spain 'favourites' says Deschamps ahead of World Cup semi-final showdown
-
Trump vows to hit Iran 'hard,' impose Hormuz transit fees
-
Norway receive heroes' welcome in Oslo after World Cup exit
-
France and Spain prepare to duel at World Cup
-
Pickford backs England to keep cool in tense Argentina World Cup semi
-
Five Britons among foreign Spanish wildfire victims
-
Oil prices surge on US-Iran attacks; tech shares fall
-
Ukraine allies pledge more air defence, pressure Russia
-
Thomas Tuchel: England's World Cup mastermind
-
'Until the end': The tireless, traumatic search for Venezuela quake victims
-
Mbappe paradox stirs club v country debate as France face Spain
-
Trump expected to shrink protected lands in Utah: reports
-
Trump reimposes Iran naval blockade, threatens Hormuz fees
-
Twelve US states sue to block Paramount's Warner Bros. takeover
-
US vows campaign to end ICC 'threat' to Americans
-
New boss Alonso calls for Chelsea 'hunger', wants Fernandez to stay
-
Yemen govt says hit Sanaa airport, Houthis attack Saudi Arabia
-
Knight excited for future after England career ends in India defeat
-
US judge voids 'improper' Trump tax deal
-
From bombmaking to motorcycle tweaks: how Nigerian jihadists use AI
-
US appeals court revives private cases alleging Tylenol link to autism
-
Edwards vows to 'upskill' England women for Ashes after India defeat
-
Spieth adamant he has more golf majors left in him
-
Hungary MPs pass constitutional tweak to oust Orban-allied president
-
'VAR-gentina?': conspiracy theories swirl ahead of World Cup semi-finals
-
Ukraine allies meet in Paris to boost air defence, pressure Russia
-
Counter-terror police take over investigation into UK politician's killing
-
Fitzpatrick blames betting for golf fans' bad behaviour
-
McCullum sorry for England defeats after 'romantic' finish with Stokes
-
Trump declares Iran blockade back, says US will charge Hormuz fees
-
New boss Alonso calls for Chelsea 'hunger'
-
Uganda opposition leader treason trial starts without lawyers
-
Trump says US reinstates Iran blockade, will be 'paid' for guarding Hormuz
-
Iraola vows to remain true to himself at Liverpool
-
McCullum sorry for England Test defeats after Australia and India losses
-
Volkswagen confirms weighing up to 50,000 more job cuts
-
Trump says US 'taking over' Hormuz as fighting with Iran flares
-
Yemen government says attacked Sanaa airport, reviving dormant conflict
-
Three Britons among foreign Spanish wildfire victims
-
EU sanctions target Russian state-backed messaging app
-
Switzerland, Britain conclude 'modernised' free trade deal talks
-
Oil prices surge on US-Iran attacks, tech shares tank
-
Taliban says 'no oppression' of Afghan women after dress crackdown
-
Counter-terror police take lead of probe into UK politician's killing
-
Commander of Ukraine's French-trained brigade arrested in murder probe
-
'Outstanding' India thrash England in historic first women's Test at Lord's
-
Slaven Bilic returns as Croatia coach
Gaming world finally gets its Grammy due
From "The Legend of Zelda" theme to the infectious "Super Mario Bros" score, sound and music have long been foundational to the gaming experience.
And now, in a move many fans and insiders consider long overdue, the Recording Academy for the first time has created a Grammy category specifically honoring a video game soundtrack, an acknowledgement of the major impact gaming and its music have made on pop culture.
Previously video games were included in the Score Soundtrack for Visual Media category, which also featured music for film and television.
But many industry players saw that as comparing apples and oranges, pushing for a standalone video game category they've finally achieved.
The inaugural class of nominees honor the composers behind "Aliens: Fireteam Elite," "Assassin's Creed Valhalla: Dawn Of Ragnarok," "Call Of Duty: Vanguard," "Marvel's Guardians Of The Galaxy" and "Old World."
The winner will be declared at this Sunday's gala in Los Angeles.
"It still doesn't seem quite real just yet," said Richard Jacques, the British artist who wrote the Marvel score said.
- 'Immersive' -
A classically trained musician who studied at the London Academy of Music, Jacques has been in the industry for almost three decades.
In 2001 he scored his debut major orchestral project, the first video game score ever recorded at the iconic Abbey Road studios.
But earning mainstream "recognition of the craft we put into our scores" has been slow-going, Jacques told AFP.
He said the new Grammy category "is finally giving us the sort of gravitas that we've been searching for for so long."
The global gaming industry could hit close to $200 billion in 2022, according to a projection from the Global Games Market Report, and a recent Deloitte survey taken across the United States, Britain, Germany, Brazil and Japan said that video games are the top entertainment source for Gen Z.
Many young gamers cite music as integral to the experience, with one third of respondents saying they looked up game music online afterwards, and 29 percent saying they often discovered new music while gaming.
"Gamers really listen... it's a huge part of shaping their experience for that game," said Grammy nominee Stephanie Economou, a Los Angeles-based composer who has also scored films and television shows.
"A lot of them cannot separate the music from a game -- and that's a really exciting opportunity for any composer coming in," the "Assassin's Creed" composer told AFP.
The new category "is an important step for people to recognize that video games have been in the zeitgeist for so long now."
Video game composing is "a new way of experiencing music and listening," Economou said.
"It's immersive and it's ever-evolving."
- 'Constantly evolving' -
Economou said the transition to video games after years working in film and television "was a pretty steep learning curve" given the non-linear nature of video games, as opposed to the fixed window that is a film or series.
"In video games, it's kind of this living, breathing thing," she said. "It's constantly evolving and the music needs to be loopable, and have these multi-layers on top of other layers that can be triggered at any moment."
Jacques said a key part of the challenge -- and the fun -- is that "the music has to react to what the player is doing."
"The main thing is about player choice," he said. "We could have so many outcomes of the game's result or story."
"Whether they're in a combat situation or exploring or solving a puzzle, or whatever the nature of the game is, it's our job as video game composers to make sure that that is a completely seamless interactive experience."
Recognition of video game composition is a full-circle moment of sorts, given that plenty of Grammy-winning artists are themselves gamers.
In 2019 jazz musician Jon Batiste -- last year's Grammy royalty who took home five awards -- told the Washington Post that games have inspired him since youth.
Games "subconsciously taught me about theme and development, how to create catchy themes that you want to hear over and over again," he said.
"Stories come flooding into people's minds when they hear these songs."
M.Robinson--AT