-
England 'flat' as Crawley admits Australia a better side
-
Australia four wickets from Ashes glory as England cling on
-
Beetles block mining of Europe's biggest rare earths deposit
-
French culture boss accused of mass drinks spiking to humiliate women
-
NBA champions Thunder suffer rare loss to Timberwolves
-
Burning effigy, bamboo crafts at once-a-decade Hong Kong festival
-
Joshua knocks out Paul to win Netflix boxing bout
-
Dogged Hodge ton sees West Indies save follow-on against New Zealand
-
England dig in as they chase a record 435 to keep Ashes alive
-
Wembanyama 26-point bench cameo takes Spurs to Hawks win
-
Hodge edges towards century as West Indies 310-4, trail by 265
-
US Afghans in limbo after Washington soldier attack
-
England lose Duckett in chase of record 435 to keep Ashes alive
-
Australia all out for 349, set England 435 to win 3rd Ashes Test
-
US strikes over 70 IS targets in Syria after attack on troops
-
Australian lifeguards fall silent for Bondi Beach victims
-
Trump's name added to Kennedy Center facade, a day after change
-
West Indies 206-2, trail by 369, after Duffy's double strike
-
US strikes Islamic State group in Syria after deadly attack on troops
-
Epstein files opened: famous faces, many blacked-out pages
-
Ravens face 'special' Patriots clash as playoffs come into focus
-
Newly released Epstein files: what we know
-
Musk wins US court appeal of $56 bn Tesla pay package
-
US judge voids murder conviction in Jam Master Jay killing
-
Trump doesn't rule out war with Venezuela
-
Haller, Aouar out of AFCON, Zambia coach drama
-
Nasdaq rallies again while yen falls despite BOJ rate hike
-
Bologna win shoot-out with Inter to reach Italian Super Cup final
-
Brandt and Beier send Dortmund second in Bundesliga
-
Trump administration begins release of Epstein files
-
UN Security Council votes to extend DR Congo mission by one year
-
Family of Angels pitcher, club settle case over 2019 death
-
US university killer's mystery motive sought after suicide
-
Rubio says won't force deal on Ukraine as Europeans join Miami talks
-
Burkinabe teen behind viral French 'coup' video has no regrets
-
Brazil court rejects new Bolsonaro appeal against coup conviction
-
Three-time Grand Slam winner Wawrinka to retire in 2026
-
Man Utd can fight for Premier League title in next few years: Amorim
-
Pandya blitz powers India to T20 series win over South Africa
-
Misinformation complicated Brown University shooting probe: police
-
IMF approves $206 mn aid to Sri Lanka after Cyclone Ditwah
-
US halts green card lottery after MIT professor, Brown University killings
-
Stocks advance as markets cheer weak inflation
-
Emery says rising expectations driving red-hot Villa
-
Three killed in Taipei metro attacks, suspect dead
-
Seven Colombian soldiers killed in guerrilla attack: army
-
Amorim takes aim at Man Utd youth stars over 'entitlement'
-
Mercosur meets in Brazil, EU eyes January 12 trade deal
-
US Fed official says no urgency to cut rates, flags distorted data
-
Rome to charge visitors for access to Trevi Fountain
'Dear Jinri' bears witness to late K-pop singer's truth
A new documentary featuring a late K-pop star's final interview unveils complex truths about South Korea's notoriously brutal music industry while highlighting her defiance of pressure to conform to societal norms.
"Dear Jinri", which premiered at the Busan International Film Festival, revolves around singing star Sulli's last Netflix project, an unfinished film that included an in-depth interview.
Born Choi Jin-ri, Sulli took her own life in 2019 at age 25, after a long struggle with online bullying. The interview in the film -- raw, powerful and heartbreaking -- has never been previously seen.
What Sulli shares in that conversation raises "many critical issues in our society," director Jung Yoon-suk said after the film's BIFF screening Saturday evening.
"These can be seen as issues related to women, or they could be problems concerning the vulnerable in our society, or related to matters of equality," he said.
Sulli, who began her career as a child actress at age 11, made her debut in 2009 for f(x), which quickly became one of K-pop's top girl groups.
Known for behaviour considered controversial in South Korea -- including refusing to wear a bra in public -- she faced relentless online bullying and was frequently targeted by sexually abusive comments.
The film also explores the singer's lonely childhood and battles with self-perception as a woman in a world that can be intensely focused on appearance.
"Since you are born as a pretty woman, you don't have to know anything," Sulli says she was told.
But, she adds: "It's obnoxious to say your life was hard because you are a pretty woman."
The well-documented pressures of the K-pop world are also spotlighted, with Sulli explaining how she was told her goal was to be "the highest quality product".
She likens her experience to that of the protagonist in Luc Besson's 1990 "La Femme Nikita", who undergoes rigorous and vicious training to become a programmed assassin, completely cut off from the outside world.
It seemed as if people "couldn't recognise that we were human beings", Sulli says in the film.
The interview is punctuated by frequent pauses as the camera lingers silently on its subject, the pain and sorrow palpable on her face.
Audible sobs from the audience could be heard throughout the screening.
- A self-aware artist -
Suicide is the leading cause of death among South Koreans aged 10 to 39 and occurs at an unusually high rate, official figures show.
Several other young K-pop stars have died of suspected suicide in recent years, including Goo Hara, Jonghyun and Moonbin. The incidents have prompted calls for increased mental health support for young people in the industry.
Sulli's response to director Jung's question about the online bullying she endured -- specifically, her decision to grant legal forgiveness to one of the perpetrators -- is arguably one of the most poignant and revealing scenes in the movie.
She also candidly discusses feminism -- a topic still controversial in socially conservative South Korea -- saying she "rooted for women who spoke out", even when their views did not align with hers.
In the end, the film paints a portrait of a contemplative, resilient figure who, in the ways she could, resisted the pressure to conform, striving instead to forge her own understanding of the world and her place in it.
The film takes its title from Sulli's legal name, Jin-ri, which means truth in Korean.
"It was incredibly important to view this person not just as a celebrity or an idol, but as someone who possesses self-awareness as an artist," Jung said.
"It seemed like the movie would be meaningful as the truth itself, just as (her) name implies."
W.Stewart--AT