-
French TV presenter stood down over Doku World Cup comments
-
Ghana coach Queiroz says playing England 'easiest' World Cup game
-
Messi sets World Cup scoring record with 17th goal
-
Former Bayern stalwart Demichelis takes over at RB Leipzig
-
Colombian leftist candidate calls for calm after post-vote violence
-
Andy Burnham: 'King of the North' with Downing Street in his sights
-
Britons cautiously optimistic after PM's resignation
-
Latest developments in Europe's heatwave
-
Draper makes winning return at Eastbourne with Murray on his side
-
IMF director says Iran war fallout creating 'difficult moment' for Africa
-
Argentina fans defiant, 40 years on from Maradona's 'Hand of God'
-
Hormuz: Traffic flows despite Iran's closure announcement
-
Wikipedia won't let AI edit articles, cofounder says
-
Clive Davis: the starmaker who shaped modern music
-
Uncapped Coles named in England's T20 squad to face India
-
Qatar gas plant blast kills 13, injures dozens
-
Andy Burnham: 'King of the North' eyes Downing Street throne
-
Oil falls as US waives Iranian crude sanctions
-
Dangerous 'heat stress' has surged worldwide, study shows
-
England captain Itoje rested for Nations Championship
-
Interstellar comet likely far older than Solar System: astronomers
-
Antoine Semenyo, Ghana's man on the inside and England threat
-
Man Utd secure land for proposed new 100,000-capacity stadium
-
Two children found dead in car as France faces hottest day of heatwave
-
US suspends Iran oil sanctions, says nuclear inspectors to return
-
Two children die in France as heatwave blasts Europe
-
Stokes and Atkinson cleared by Cricket Regulator after nightclub incident
-
Ex-Wimbledon champion Vondrousova banned four years for refusing drugs test
-
Veteran Le Roy named new coach of Congo
-
Milan-Cortina chief Malago elected new head of Italian FA
-
Germany's Schlotterbeck out of World Cup with ankle injury
-
Any unfreezing of Iranian funds will not finance terrorism: Vance
-
Vance hails 'good foundation' for Iran deal after direct talks
-
Alan Greenspan: longtime Fed chief with a divided legacy
-
Leinster boss Cullen to step down at end of next season
-
'Has-been' Belgium stars scorched after Iran World Cup draw
-
Oil falls on US-Iran progress; pound holds up as Starmer resigns
-
Starmer resigns as UK PM, Burnham favourite to take over
-
France, Germany reach deal on arms maker KNDS, paving way for IPO
-
Latest developments on Europe's heatwave
-
France set for hottest day yet of heatwave
-
Keir Starmer: downfall of UK's unpopular PM
-
Gaza's surfers seek solace in the sea
-
MEXC Lists Arcium (ARX) with 70,000 USDT in Airdrop+ Rewards
-
EasyJet rejects £5 bn takeover offer from US equity firm
-
Europe scorched by latest heatwave
-
Mediators hail 'progress' in US-Iran talks after lengthy opening session
-
UK's Starmer resigns as prime minister
-
Coffee break: Starbucks Korea stores pause for training after 'Tank Day' fiasco
-
Rightist leaders congratulate Colombian president-elect
Paris museum gives troubled NFT art scene a big showcase
NFTs, the tokens of the crypto world linked to digital artworks, have been granted a show at the Pompidou Centre in Paris, despite an almost total collapse in their price and cultural cachet.
The Pompidou, a popular attraction in the Marais district of the French capital, has opened the exhibition in its minimalist halls dedicated to NFTs which could give the digital art form a much-needed lift.
Blockbuster multimillion-dollar sales helped fuel publicity in 2021, and prices soared amid a lack of regulation and general confusion over what the digital tokens were.
But the value of NFT transactions fell 94 percent between 2021 and 2022, from $233 million to $14 million, according to French analytics firm Artprice.
The organisers of the event at the Pompidou, the first European gallery to start a collection of NFT art, are more keen to talk about the art than the economics.
"These artists get a place in the history of art and their works are guaranteed longevity," said Marcella Lista, the gallery's chief curator.
However, the collapse in interest in NFTs along with a wider plunge in the value of cryptocurrencies allowed the Pompidou to bag many of the works for just a handful of dollars, according to records on the OpenSea platform.
About half of the works were donated by their creators.
- Crypto icons -
Among those who happily handed over their work was Californian artist Robness, who came to see the show and said it was a "humbling experience" to be included.
He too was keen to shift the focus from the slump in prices.
"If you start worrying about the market dynamics, you're taking your energy out, putting it into other places," he told AFP.
"That's not conducive to actually creating."
Robness compared NFTs to email, an elemental technology that he reckons will continue to find uses.
Born at the crossroads of technology and artistic provocation, NFT art quickly created its own emblems and myths -- and the Pompidou exhibition is steeped in its iconography.
Robness donated a 3D "portrait" of Satoshi Nakamoto, the possibly fictional creator of bitcoin.
Another of the works on display is "Bitchcoin", a representation of a bitcoin created by Sarah Meyohas in 2015, making it one of the first NFT artworks.
While one of the most famous emblems of the scene, a "cryptopunk", also gets an airing.
Visitors get the experience of a traditional art gallery -- whitewashed walls, hanging images accompanied with small explanation cards -- but instead of canvas and paper, the digital works are rendered on screens.
- Storing pixels -
If the prices paid for the artworks were surprisingly low, the gallery nonetheless had to jump through some pretty tight hoops to acquire them.
NFT art is generally sold on platforms where cryptocurrency is the preferred payment method, and proof of ownership is stored on the blockchain.
Lista said accounting rules simply would not let the Pompidou go through the convoluted process of buying cryptocurrency to acquire the works, and blockchain records were not good enough.
Instead, she said, the works were paid for in euros and contracts were signed under French law.
Then comes the difficulty of storing and insuring the works, which are essentially digital pixels that can be replicated as many times as anyone wants.
Philippe Bertinelli, another of the curators of the exhibition, said copies were held on several servers and in different media.
"Even if a system breaks down or something is lost or burned, we can ensure the works are still safely stored," he said.
M.King--AT