-
Souped-up VPNs play 'cat and mouse' game with Iran censors
-
Attacked Russian tanker drifting toward Libya: Italian authorities
-
Coroner 'not satisfied' boxer Hatton intended to take own life
-
Stocks drop, as oil rises as Mideast war persists
-
Vanishing glacier on Germany's highest peak prompts ski lift demolition
-
Chuck Norris, roundhouse-kicking action star, dead at 86: family
-
Supreme leader says Iran dealt enemies 'dizzying blow'
-
Audi team principal Wheatley in shock exit after two races
-
Spurs boss Tudor hopes for 'nice surprises' in relegation fight
-
Arsenal must prove they are winners in League Cup final, says Arteta
-
Record-breaking heat wave grips western US
-
Liverpool showdown brings back 'beautiful memories' for PSG coach Luis Enrique
-
IRA bomb victims drop civil court claim against Gerry Adams
-
Ntamack returns for Toulouse to face France rival Jalibert
-
Trump calls NATO allies 'cowards' over Iran
-
French jihadist jailed for life for Islamic State crimes against Yazidis
-
Chuck Norris, action man who inspired endless memes, dead at 86: family
-
Action movie star Chuck Norris has died: family statement
-
England stars have 'last chance' to earn World Cup spots: Tuchel
-
League Cup final a 'big moment' for Man City, says Guardiola
-
Injured Ronaldo misses Portugal World Cup friendlies
-
Liverpool condemn 'cowardly' racist abuse of Konate
-
Far from war, global fuel frustrations mount
-
German auto exports to China plunged a third in 2025: study
-
Coach Valverde to leave Bilbao at end of season
-
'Decimated'? The Iranian leaders killed in Israeli-US war
-
Mistral chief calls for European AI levy to pay creatives
-
Liverpool suffer Salah blow in chase for Champions League
-
Mahuchikh soars to world indoor high jump gold, Hodgkinson cruises
-
Spain include Joan Garcia as one of four new call-ups
-
Salah ruled out of Liverpool's Brighton clash
-
Ship crews ration food in Iran blockade: seafarers
-
Kuwait refinery hit as Iran marks New Year under shadow of war
-
England recall Mainoo, Maguire for pre-World Cup matches
-
Jerusalem's Muslims despair as war shuts Al-Aqsa Mosque for Eid
-
'War has aged us': Lebanon's kids aren't alright
-
Snooker great O'Sullivan makes history with highest-ever break
-
Kuwait refinery hit as Iran says missile production 'no concern'
-
India to tackle global obesity with cheap fat-loss jabs
-
Somaliland centre saves cheetahs from trafficking to Gulf palaces
-
China swim sensation Yu, 13, beats multiple Olympic medallist
-
North Korean leader, daughter try out new tank
-
Israel strikes 'decimated' Iran as war roils markets
-
James ties NBA record for most regular-season games in latest milestone
-
Trump's Mideast muddle could play into Xi's hands at planned summit
-
Wembanyama lifts playoff-bound Spurs, Doncic and James fuel Lakers
-
Japan ski paradise faces strains of global acclaim
-
Vinicius, Real Madrid must prove consistency in Atletico derby
-
Kane credits Kompany's Bayern 'evolution' as treble beckons
-
PSG look back to their best, but not yet out of sight in Ligue 1
Paris museum gives troubled NFT art scene a big showcase
NFTs, the tokens of the crypto world linked to digital artworks, have been granted a show at the Pompidou Centre in Paris, despite an almost total collapse in their price and cultural cachet.
The Pompidou, a popular attraction in the Marais district of the French capital, has opened the exhibition in its minimalist halls dedicated to NFTs which could give the digital art form a much-needed lift.
Blockbuster multimillion-dollar sales helped fuel publicity in 2021, and prices soared amid a lack of regulation and general confusion over what the digital tokens were.
But the value of NFT transactions fell 94 percent between 2021 and 2022, from $233 million to $14 million, according to French analytics firm Artprice.
The organisers of the event at the Pompidou, the first European gallery to start a collection of NFT art, are more keen to talk about the art than the economics.
"These artists get a place in the history of art and their works are guaranteed longevity," said Marcella Lista, the gallery's chief curator.
However, the collapse in interest in NFTs along with a wider plunge in the value of cryptocurrencies allowed the Pompidou to bag many of the works for just a handful of dollars, according to records on the OpenSea platform.
About half of the works were donated by their creators.
- Crypto icons -
Among those who happily handed over their work was Californian artist Robness, who came to see the show and said it was a "humbling experience" to be included.
He too was keen to shift the focus from the slump in prices.
"If you start worrying about the market dynamics, you're taking your energy out, putting it into other places," he told AFP.
"That's not conducive to actually creating."
Robness compared NFTs to email, an elemental technology that he reckons will continue to find uses.
Born at the crossroads of technology and artistic provocation, NFT art quickly created its own emblems and myths -- and the Pompidou exhibition is steeped in its iconography.
Robness donated a 3D "portrait" of Satoshi Nakamoto, the possibly fictional creator of bitcoin.
Another of the works on display is "Bitchcoin", a representation of a bitcoin created by Sarah Meyohas in 2015, making it one of the first NFT artworks.
While one of the most famous emblems of the scene, a "cryptopunk", also gets an airing.
Visitors get the experience of a traditional art gallery -- whitewashed walls, hanging images accompanied with small explanation cards -- but instead of canvas and paper, the digital works are rendered on screens.
- Storing pixels -
If the prices paid for the artworks were surprisingly low, the gallery nonetheless had to jump through some pretty tight hoops to acquire them.
NFT art is generally sold on platforms where cryptocurrency is the preferred payment method, and proof of ownership is stored on the blockchain.
Lista said accounting rules simply would not let the Pompidou go through the convoluted process of buying cryptocurrency to acquire the works, and blockchain records were not good enough.
Instead, she said, the works were paid for in euros and contracts were signed under French law.
Then comes the difficulty of storing and insuring the works, which are essentially digital pixels that can be replicated as many times as anyone wants.
Philippe Bertinelli, another of the curators of the exhibition, said copies were held on several servers and in different media.
"Even if a system breaks down or something is lost or burned, we can ensure the works are still safely stored," he said.
M.King--AT