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US envoys hold talks with Zelensky on first Kyiv visit
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'Truly scared': Blazes outpace firefighters in Indonesian Borneo
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Vandals uproot Berlin tree commemorating Pride attack victims
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German director Wenders clarifies views on film and politics
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Trump envoys arrive in Kyiv for first Ukraine visit
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Nepali rescuers buoyed by miracle finds but tough conditions persist
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Indonesia's main airport suspends operations after volcanic eruption
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At last: Straight sets win over Tabilo puts Zverev in US Open last 16
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Jovic 'loses sanity five times over' to oust friend Eala in US Open epic
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Haze emergency grips Malaysian Borneo town
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China's memories of Mao fade to nostalgia 50 years after his death
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Messi creates both Miami goals in 2-2 draw with Atlanta
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US envoys discuss with Putin 'substantive' plans for steps to end Ukraine war
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Rybakina books US Open fourth-round berth, inches closer to No. 1
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Zheng stuns Keys as US Open upsets dim American hopes
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Sobering reality: Curbs on alcohol in northeast Syria cause discontent
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Jovic 'loses sanity five times over' to oust Eala and book Gauff clash
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Wobbly Osaka 'shocked' to battle past Mertens and reach last 16
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Kiss's winning run ends as Argentina hold Australia to draw
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Werro wins in Brussels, as Russell and Dos Santos shine
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Simmonds stars as Pau upset Montpellier
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Inter roar back in five-goal thriller with Napoli
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Zheng rallies to stun Keys, Anisimova out in US Open third round
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Haaland keeps Man City perfect in Premier League, blunt Spurs held
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Bayern held to draw by stubborn Schalke
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Hamilton worried by Ferrari pace while Antonelli prepares for a fight
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Italy Oscar-winner Sorrentino says no more Netflix
Already shedding subscribers, Netflix may also be losing some of its big-name directors, with Italian Oscar-winner Paolo Sorrentino telling Cannes on Tuesday that he is finished with streaming platforms.
"Maybe it's because I'm becoming old, but the best thing for me is to try to make things for the big screen," Sorrentino told an audience at the Cannes Film Festival.
The director of "The Great Beauty", which won a foreign language Oscar in 2014, said the "power of the image" could only be fully realised on a big screen.
"With a TV series, it's not easy to remember great images," he said. "I don't (watch) movies done for TV or platforms because I don't find what I'm looking for."
Sorrentino is one of many lauded auteurs -- including Martin Scorsese and Jane Campion -- who have benefitted from Netflix's deep pockets in recent years.
He made TV series "The Young Pope" for the platform, as well as last year's autobiographical film, "The Hand of God".
"The movie I made for Netflix was good for Netflix, but it's not something (I want) to happen again," he said.
The influx of easy money was actually a problem, he added.
"For many filmmakers there was this overdose of chances to do things -- movies, TV series. We started to be very rushed," Sorrentino said.
"A good movie needs time. It was a fake opportunity. It's important to go back to the past."
Netflix announced earlier this year that it had lost subscribers for the first time in a decade, and trimmed staff last week.
Sorrentino's opinion will be music to the ears of the Cannes organisers, who have barred Netflix and other streamers from competing at the festival because they do not give their movies a long-enough period in cinemas.
The 51-year-old director said he was optimistic about the future of cinemas.
"At a certain point, people will get tired of watching films at home," he said.
He also criticised platforms for not using their money to finance new voices.
"Compared to the amount of money that platforms have, I never see that they invest money for younger film-makers, and they could."
P.Hernandez--AT