-
Forex Expo Dubai to Take Place as Scheduled on 22–23 September 2026
-
Ethiopia boosts drone production to fight rebels
-
Russia pounds Kyiv, ending three-day halt for US talks
-
Yemen rebels hit Saudi Arabia with wave of strikes, wounding 73
-
Flights resume gradually in Indonesia after volcanic eruption
-
Nepalis mark a year since deadly protests that toppled government
-
French AI firm Mistral valued at 21 bn euros after latest funding
-
Rubio launches Latin America tour to cement US influence
-
Sweden heads to the polls in close election race
-
France tries 14 over deadliest Channel migrant crossing disaster
-
Australia's Big Bash T20 teams face sale to private investors
-
Australia threatens hefty fines if big tech fails 'duty of care'
-
Russia resumes strikes on Kyiv after three-day halt
-
Zverev romps into quarter-finals as Darderi downed
-
Canada's counter-tariffs take effect on various US goods
-
Kauai on tornado watch as Hurricane Lowell nears Hawaiian islands
-
China's trade booms as focus turns to expected Trump-Xi summit
-
Pakistan roll the dice in search of consolation win over England
-
Is Champions League three-peat really possible for PSG?
-
Yen extends gains as traders eye rate hike, tech rallies again
-
Russia pummels Kyiv after three-day halt
-
'The ber months': Christmas arrives early in the Philippines
-
Mongolians wait hours for fuel as reliance on Russia bites
-
N. Korea calls Russia bridge a sign of tighter ties
-
Blockx first Belgian man to reach US Open quarter-finals
-
US sanctions threaten to crush Iranian students' dreams
-
Praying for rain as fires, haze plague Indonesian Borneo
-
Former champ Gauff holds off Jovic to reach US Open quarter-finals
-
Rybakina tops Osaka, sets US Open quarter-final clash with Zheng
-
Equitech-Bio Expands Reagent Portfolio with New IgG Offering and Publication-Backed Product Validation from Bioz
-
Apex Expands Trinity Zone with Step-out Hole Returning 197.5 m Interval of 2.12% REO at the Rift Rare Earth Project in SE Nebraska
-
Battery X Metals to Appoint Accomplished Technology and Consumer Brands Executive Nicholas Reichenbach to Board of Directors
-
BioNxt Advances Sublingual Everolimus ODF for Organ Transplant Rejection with Initiation of Large-Animal Pharmacokinetic Study
-
Guardian Metal Resources PLC Announces Admission to FTSE AIM 50 Index
-
Genflow Biosciences PLC Announces Primary Endpoint in SLAB Clinical Trial Met
-
InterContinental Hotels Group PLC Announces Transaction in Own Shares - September 08
-
Gaming Realms PLC Announces Interim Results
-
Osaka seeks answers to nagging achilles injury after US Open exit
-
Panama Canal considering more cuts in transits due to El Nino
-
Flight data recorders recovered from Amazon cargo plane crash
-
Maresca agrees with Haaland that players started season jaded
-
Super Bowl rematch kicks off NFL season as league expands global reach
-
Hurricane warning issued for westernmost Hawaiian islands
-
Alcaraz faces Shelton in blockbuster US Open quarter-final
-
UK PM denounces 'politics of poison' after anti-migrant protests
-
Trump threatens sales in US of Canadian aircraft maker Bombardier
-
Comeback queen Zheng strikes again for US Open quarter-final berth
-
Eiffel Tower closed in row over women removed for Hindu group
-
Third absence for injured Hadjar as Lawson fills in again in Spain
-
Willemse replaces Kolbe for Springboks' All Blacks series decider
Refugee who paints with a toothbrush nominated for Australian art prize
A refugee held for eight years in Australia's hardline immigration system earned a finalist spot in the nation's top art prize on Thursday -- for a self-portrait he painted with a toothbrush.
For artist Mostafa Azimitabar, a Kurd who fled persecution in Iran, the honour came just over a year after he was released from one of Australia's notorious immigration hotels.
He told AFP a finalist berth for the Archibald -- a portrait prize worth AUD$100,000 ($72,192), which has been awarded to some of Australia's most esteemed artists -- was "one of the best moments of my life".
Azimitabar's self-portrait was painted using a toothbrush, a technique he began experimenting with in 2014, soon after being put into one of Australia's offshore immigration detention camps on Manus Island, Papua New Guinea.
"I asked one of the officers on Manus: 'Can I have some paint?'... I would like to do some artwork because I don't want to give up'," he recalled.
After the officer said he might eat the paint to inflict self-harm, a frustrated Azimitabar returned to the room he shared with dozens of men.
On a table, he spotted a cup of coffee and a toothbrush.
"I don't know what happened... that moment was so special for me. I grabbed the toothbrush and I put it in the coffee and I just dragged it (on some paper)," he said, describing this as his "moment of victory".
- KNS088 -
Azimitabar's self-portrait is entitled "KNS088", the government identification number he was given during his eight years in detention.
He said painting was a reminder that he was a person, not a number.
"Art and painting helped me to be strong, to continue. Because when I paint, I don't feel any trauma," he said.
The UNHCR has repeatedly called on Australia to close its offshore camps, saying they "undermined the rights of those seeking safety and protection and significantly harmed their physical and mental health".
But when he was moved to Australia's mainland for medical care and placed in a detention hotel, Azimitabar found it difficult to make art.
Australia's detention hotels, which made global headlines earlier this year when tennis star Novak Djokovic was held in one during his visa stoush, were "worse than Manus", he said.
Then, on January 21, 2021, with little warning or explanation, he was released.
- Life after detention -
Azimitabar was given a six-month bridging visa, which allowed him to work, but not study, access welfare or claim support for accommodation.
Since his release into the community, he has tried to build a life in Australia, working at a charity called ReLove.
"We provide free furniture to people (fleeing) domestic violence, or people who have been through a lot of trauma," he said.
He has also painted, a lot, but found traditional tools didn't inspire him as much as the toothbrush.
"This toothbrush is a very good friend of mine," he said.
Azimitabar wanted his self-portrait to capture the "suffering, sadness and strength" of life as a refugee.
He hoped that being named as an Archibald finalist will allow more Australians to understand that refugees are capable of anything.
"I believe that people look at me as a survivor," he said.
The winner of this year's Archibald Prize will be announced on May 13.
A.Ruiz--AT